This may be the year the pop landscape is overrun with Scandinavian singers of the female variety, so we present six of the best
M
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M , AKA Karen Marie rsted, first plonked Pilgrim online last October, causing certain music bloggers to contort into spasms of pure wonder. By channelling elements of the dreaded ‘indie-pop’ sound – there are nods to the likes of Purity Ring in the eerie, cut-up vocals – and bolting on a huge chorus (“holla, holla, holla”), M and producer Ronni Vindahl have managed to utilise elements of something boring and dry and turn it into something uniquely heartfelt and unshakeably catchy. She’s also just released a Denmark-only single called Glass which features the line, “Oh dear one turn the lights off, so our horny souls can have some private time”. You can’t say fairer than that, really.
Cry/dance factor: 56/100. Likelihood of ‘doing a Robyn’: 78. Likelihood of song appearing in an episode of Girls: 79. Relevance of adjective ‘glacial’: 65. Average BPM: 50.
Frida Sundemo
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Perhaps Scandi-pop’s biggest asset of late has been its ability to make people dance like idiots while rivulets of tears and dollops of snot pour over creased cheeks and ugly grimaces. Sad lyrics packaged in happy melodies is nothing new in pop, of course, but it’s an art form the Swedes especially have started to dominate, and Gothenburg resident and former medical school graduate Frida Sundemo has two proper cry-at-the-disco anthems up her sleeve. While the bittersweet Indigo encases an entreaty about not giving up in a souffle of sparky synths and pogoing beats, the gorgeously melancholic Snow finds Sundemo wishing the winter would frankly just piss off: “Goodbye Mr Cold, I’m begging you to go”.
Cry/dance factor: 92/100. Likelihood of ‘doing a Robyn’: 75. Likelihood of song appearing in an episode of Girls: 41. Relevance of adjective ‘glacial’: 83. Average BPM: 140.
Elliphant
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“I’m like a finger up your ass, now why not give it to me?” muses mysterious Swede Elliphant on the clattering Ciant Hear It, a song that seems to have been built around an old rave siren, a dog barking and a disintegrating Commodore 64. Elsewhere on her recently released self-titled EP she channels Arular-era MIA on the frantic TeKKno Scene, the sound of a panic attack on Make It Juicy and Swedish reggae on Down On Life (opening line: “We are waking up in a pile of shit”). While Frida Sundemo can act like a soothing balm to life’s woes, Elliphant’s skull-rattling agit-pop – which has much in common with Icona Pop’s shoutier material – is a pretty good way of kicking bullshit into touch before it all gets out of hand.
Cry/dance factor: 6/100. Likelihood of ‘doing a Robyn’: 36. Likelihood of song appearing in an episode of Girls: 83. Relevance of adjective ‘glacial’: 0. Average BPM: 90.
Margaret Berger
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In 2004 Berger auditioned for the second series of Norwegian Idol (or Idol: Jakten p en superstjerne to be precise) only to be dumped before the live shows. Luckily, one of the judges brought her back as a wildcard (she finished second), and her 2006 album Pretty Scary Silver Fairy explored electropop (think a lighter R yksopp or the Knife). She’s been quiet for a couple of years, but recently won Melodi Grand Prix (the Norwegian version of Your Country Needs You) and will represent Norway at Eurovision. Her song, I Feed You My Love, is spectacular – all big farting synths and dark lyrics like, “You put a knife against my back and you dare me to face the attack”. Jade Ewen this ain’t.
Cry/dance factor: 66/100. Likelihood of ‘doing a Robyn’: 68. Likelihood of song appearing in an episode of Girls: 32. Relevance of adjective ‘glacial’: 59. Average BPM: 95.
NONONO
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When it’s really yes, yes, yes? Formed in Stockholm, NONONO, AKA singer Stina W ppling and production duo Astma & Rocwell, make the kind of percussion-heavy, gloom-tinged pop Niki & The Dove brought to the ‘masses’ last year. While Astma & Rocwell have previous, having worked with Icona Pop and Beatrice Eli (whose 2012 single The Conqueror is a glowering synth-ballad), it’s Stina – who’s just finished a three-year psychology course, education fans – that steals the show. While their debut Like The Wind ticks all the right boxes, production-wise (rattling percussion, spidery guitars similar to the xx, delicate synth flourishes), it’s all anchored by Stina’s vocal, which boosts it all with genuine character. Check out the “wha ah ah ah” bits if you don’t believe us.
Cry/dance factor: 44/100. Likelihood of ‘doing a Robyn’: 49. Likelihood of song appearing in an episode of Girls: 63. Relevance of adjective ‘glacial’: 51. Average BPM: 80.
Faye
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As a teenager, Stockholm-born Fanny Hamlin (no sniggering at the back) was in the Swedish girl band Play alongside Rosanna Munter (please, guys, concentrate) and two other singers with less interesting names. Play released the excellent single Waterfall in 2010, and at one point toured with Destiny’s Child, with Beyonc imparting her vast amount of wisdom to Fanny by suggesting she steer clear of the music industry altogether. Thankfully she didn’t listen. The newly christened Faye recently set about making the kind of elegantly poised electropop torch songs that make you clutch at your chest in overdramatic anguish. Her first single, Water Against The Rocks, was one of 2012’s best music moments.
Cry/dance factor: 89/100. Likelihood of ‘doing a Robyn’: 71. Likelihood of song appearing in an episode of Girls: 57. Relevance of adjective ‘glacial’: 85. Average BPM: 50.